Bad Feminists Making Films
Bad 20feminists 202

Bad Feminists Making Films is a show where we talk to bad feminist filmmakers who are confronting and changing the film industry through intersectional and decolonial practice. Our podcast features intimate conversations with feminist filmmakers about their filmmaking journeys, including cringe-worthy moments, sweet successes, and tips for navigating and challenging male-dominated spaces. Join us as we work towards creating community, building alternatives, and transforming the film industry.

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    Collaborating Consciously with Community

    Dawne Langford, DC-based filmmaker and creative producer tells us about “discovery syndrome”--or what happens when women and people of colors’ ideas are picked up without credit--and the hard lessons she’s learned about film collaborations with communities. Describing her journey from her beginnings at a black-owned public TV station (Howard University’s WHUT) to attending the highly selective PBS Producers Academy, Dawne offers some important ethical principles for filmmakers.

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    A Case Study in Decolonial Documentary: Call Her Ganda

    What does it mean to decolonize film not just in theory, but in practice? In episode 2, Maggie and Emily speak with filmmaker PJ Raval, who recently led an all-Filipino directing and producing team to create Call Her Ganda, which tells the story of three women intimately invested in justice for Jennifer Laude, a Filipina trans woman who was brutally murdered by a U.S. Marine; together they galvanize a political uprising, pursue justice and take on hardened histories of US imperialism. We speak with PJ about how he came to realize his responsibility to work on this project, the process of creating a transnational production team with the depth of experience and sensitivity necessary to execute it across borders, and what he learned about U.S.-Philippine colonial history and himself along the way.

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    What the hell is feminist filmmaking, anyway?

    Emily and Maggie kick off the podcast by dropping some bad feminist facts about the sad state of the filmmaking industry. Our guests Elena Guzman and Miasarah Lai talk about why feminism needs an asterisk, and how it has come to be a shorthand for knowing who you want to work with. Elena and Miasarah discuss the importance of feminist filmmaking as an anti-racist and anti-oppressive practice, and share some bad feminist moments they’ve had along the way.